In part 2 of our look at Alfred Hitchcock’s Psycho, we discuss how composer Bernard Herrmann skillfully builds tension with his use of repetition early on in the score. In the second half of the film, as a new, 3-note motive emerges, we break down its musical characteristics, and discuss how its used to warn us as the movie shifts from being a psychological thriller, to a classic whodunit.
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SourceThe Soundtrack Show
Richard Hutchinson
Richard cannot remember a time without Star Wars in his life. His love of the community side of Star Wars is infectious and he can often be found supporting toy shows, such as Farthest From, and Celebration. He is a member of Star Wars Forum UK, a featured blogger on Fantha Tracks covering the vintage era and oversees our podcast database.